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Anne Anderson – |
‘The Blue Mania’ : Collectors of Blue and White China for the House Beautiful c. 1860-1900 |
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Sophia Andres – |
“Seeing Present and Future in the Past: Pre-Raphaelite Representations of Women |
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Kit Andrews – |
Victorian Teleologies: Daniel Deronda, Feuerbach, and Hegel |
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Sara E. Atwood – |
Ruskin’s Medievalism |
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Brenda Ayres – |
"The Story of a Dead Self": The Theosophical Novels of Marie Corelli |
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Genie Babb – |
Scylla’s Descendents: Mythology, Science, and Octopoid Aliens in H. G. Wells’ “The Sea Raiders” and The War of the Worlds
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Noelle P. Bradley – |
Caricaturing Historicism: W. M. Thackeray and the Humbug of Styles |
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Meilee D. Bridges – |
The Eros of Homeros: The Pleasures of Reading Greek Epic in Victorian Britain |
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Susan P. Casteras – |
The Pre-Raphaelitization of Modern Culture
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Julie F. Codell – |
Viewing the Past In and Through Pre-Raphaelite Art |
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Sasha Colby – |
Buried, Encoded, Occluded: Archaeology, Victorianism, and the Substrata of Modernsim |
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Noah Comet – |
“Old Idolatry”: Landon, Hemans, and Hellenism |
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Lana L. Dalley – |
Women, Capital and Classical Economics: Reading the Economic Past in George Gissing’s The Odd Women |
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Catherine Day – |
Historical Possibility and Extension of Mind in John Stuart Mill and George Eliot |
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Alfred Drake – |
Walter Pater and Victorian Hellenism |
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Dustin Friedman – |
“Artificial Artlessness”: Euphuism and “the task of poetry” in Walter Pater’s Marius the Epicurean |
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Constance Fulmer – |
George Eliot and Titian's Annunciation: The Virgin Mary and Fedalma As Aspects of George Eliot's Self-Concept |
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Alberto Gabriela – |
"Sensationalizing British History: Bound to John Company (Belgravia: 1868-69) and the Haunting Memory of the Sepoy Mutiny |
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Ramona Garcia – |
"'Most Englishmen did not agree with the Protestants, but still did not think it right that they should be burned for their opinions.': The Reign of Mary Tudor (1553-1558) Throught the Prism of Nineteenth-Century Liberalism" |
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Chris Geyer – |
“Blood Memory”: The Gentleman is White |
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Pamela K. Gilbert – |
Millennial Histories, Paul, and Victorian Liberalism |
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Jennifer Green-Lewis – |
If Memory Serves: Photographing antiquity in the nineteenth century |
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D. Rae Greiner – |
Sympathy as Style: In the Case of Dickens |
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Bryn Gribben – |
“Priceless Value in Diluted Homeopathic Doses”: The Jewish Man, Pain and Empathy in Trilby & The Moonstone |
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Marylu Hill – |
The Future of the Past: William Morris’ News from Nowhere and the Historical Eye |
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Kellie Holzer – |
Love as “Contraband Commodity”: Miss or Mrs? and Lord Hardwicke’s Marriage Act of 1753 |
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Mary Hotz – |
‘The Darkling Thrush’: The Voice of Death in the Novels of Thomas Hardy |
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Gail Turley Houston – |
Elizabeth Barrett Browning's Re-membering of a Female God |
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Jeffrey E. Jackson – |
The Once and Future Sword: Excalibur and the Poetics of Imperial Heroism in Idylls of the King |
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P. Keiko Kagawa – |
"Archi-spatiality in George Eliot's MIDDLEMARCH: An Architectural Reconstruction of the Renaissance" |
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Michelle Kaiserlian – |
A Syncretic Vision at the Close of the Victorian Age: Phoebe Anna Traquair’s Progress of a Soul |
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Jenni Keys – |
Re-imagining Empires: Representations of the Victorian in Maharanee Sunity Devee’s Rajput Princesses, Beautiful Mughal Princess, and Indian Fairy Tales |
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Allison Adler Kroll – |
Hardy's Interpretive Archaeology: Tess of the D'Urbervilles |
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Amy Lehman – |
Representations of the Past in Victorian Seances |
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Yisrael Levin – |
Swinburne’s “The Last Oracle:” Nineteenth-Century Mythography and Apollonian Mythopoeia |
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Naomi Lloyd – |
The Universal Divine Principle, the Spiritual Androgyne and the New Age in Sarah Grand’s The Heavenly Twins (1893) |
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Kristin Mahoney – |
D.G. Rossetti’s Fleshly Medievalism: History and the Emergence of a British Avant-Garde |
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Kathleen Maloney – |
Studying the Past, Envisioning the future: Teaching William Morris’ News from Nowhere |
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George Mariz – |
Thomas Arnold as Historian: the Past in the Present |
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Valerie Mendelson – |
Shooting Marbles: Robert Fenton at the British Museum |
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Heather Milton – |
Novel Expectations: The Production of the Modern Subject through Victorian Narrative in A Cornish Waif’s Story: An Autobiography |
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Miles Mitchard – |
Ruskin, Hazlitt, Murillo, and the bodily poetics of radicalism |
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Rosemary Mitchell – |
The Past Laugh: Comic Attacks on Historical Discourses and Antiquaries and Heritage Tourism in R.H. Barham’s The Ingoldsby Legends. |
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Deborah Denenholz Morse – |
‘Imperial Memories in Anthony Trollope’s He Knew He Was Right’ |
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Alla Myzelev – |
Collecting the Everyday: Peasant Utilitarian Objects as Museum Artefacts |
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Suzanne Ossa-Richardson – |
William Morris and the ‘Book Beautiful’: The Kelmscott Press in Context” |
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Ji-Hyae Park – |
The Education of Desire in Vernon Lee’s and Oscar Wilde’s Platonic Dialogues |
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Marilyn Pemberton – |
Once Upon a Time: The Use of the Past in Victorian Fairy Tales in Order to Ensure a Happily Ever After |
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Louise Penner – |
“Sensational Absences: Charlotte Brontë, George Eliot, and Romantic and Victorian Sciences of the Mind” |
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John Potvin – |
Collecting the Past: Aestheticism, Identity, and Objects of Desire |
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John Potvin – |
‘Charles Ricketts and Charles Shannon: Collecting Intimacy One Object at a Time’ |
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Megan Price – |
‘Visions of the Ancient British Landscape in Victorian Lanternslides’ An illustrated PowerPoint presentation of the life and work of an unknown amateur |
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J. Lyndsey Rago – |
Statue as Souvenir: Oliver Cromwell and Historical Consciousness in Victorian Britain |
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Eric Reisenauer – |
Romans, Israelites, and the Imperial Ideal in Britain |
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Dennis Rohatyn – |
Russell's Paradox and the Beginning of the Victorian End |
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Laura Rotunno – |
Where the Past Fits in the Present of John Caldigate |
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Marty Rapp Sayles – |
Everyone Loves a Lord: Power, Status, and Victorian Genealogy |
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Susanne Seales – |
Special Event: Elizabeth S., A Collaborative Performance of Dance and History Based on the Life of Elizabeth Siddal |
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Kate Sheppard – |
Flinders Petrie, Archaeology and Eugenics in Nineteenth Century Britain |
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Antony E. Simpson – |
The Victorians and the ‘Bloody Code’: The Persistence of 18th Century Morality in the 19th Century Mode of Capital Punishment |
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Robert Sirabian – |
The Interplay of Past and Present: Anglo-Saxonism and Tennyson’s Battle of Brunanburh |
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Lisa Surridge – |
Time, History, and Narration in E. Nesbit’s The Amulet |
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Ann M. Tandy-Treiber – |
Burrowing Towards the Future: The Buried Histories of Degenerate Races in Late-Victorian England |
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Karen Kurt Teal – |
The Old and New Victorian Gateway to the Continent: St. Pancras Station and Hotel Renovation Update |
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Nanette Thrush – |
Ivanhoe Redux |
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Bertram Troeger – |
Positioning the Wart: Some Remarks on Oliver Cromwell's Victorian Reputation |
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Kathleen Vejvoda – |
The Gods of the Hearth: Paganism in The Mill on the Floss and Silas Marner |
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Stanwood Walker – |
Cecil Rhodes, Marius the Epicurean, and Imperial Ambivalence |
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Maria Su Wang – |
Historical Explanation, Adequate Cause, and Lydgate’s Plot in Middlemarch |
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Edward Wesley – |
Empedocles and Arnold |
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Elizabeth Coggin Womack – |
Historical Overdetermination and the Bourgeois Public Sphere in Browning’s The Ring and the Book |
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Michael Zeitler – |
Wessex Past and Present: Primitive Myth and Modern Man in The Return of the Native |
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Jolene Zigarovich – |
Biblical Allusions and Embedded Meaning in Charlotte Brontë’s Fiction |
